Work
Restaurant Gys approached me with a fairly simple question: can you fix some overlapping website buttons customers use to make table reservations?
After a couple of drinks (non-alcoholic of course!) and a strategy session, we found a more interesting problem: a lot of guests assume the restaurant is a lunchroom. While Gys does serve lunch, they open at 10:00 and close at 21:30. I like to eat lunch at random times, but that's definitely not lunchtime in my book. Gijs Werschkull, owner of the restaurant, agreed with me that we should explore the problem further.
I came up with a concept: in the morning the crew is ready to pour you a coffee to-go. In the afternoon there is plenty of space to work or relax with friends. Time for a drink after work? Eating out with the whole family? Gys is there for you, at any time of day.
When proposing the concept as a question, the crew is able to explore answers inside the restaurant: how might we let guests come into contact with different experiences throughout the day?
We set out to answer that question through a renewed identity, visual language, website, print and social media assets.
We translated the concept to a new visual language and integrated it into the ux: what you see is determined by the time of day.
A nice little detail: the windowing in the restaurant has the same shape as the sunrise we use in the visual language. The old logo is still present though. Reminder to self: snap the exact same picture with the new logo. Maybe no arrow? I mean, it's pretty obvious, right?
Gys’ crew is able to use the new site as a fully featured marketing channel for cross medial campaigns: visitors are able to digest useful content to learn about the restaurant or pick up a new recipe, they can order food or book a table and catch up on the latest news on other marketing channels like Instagram, Facebook, Pinterest and Spotify.
The crew is able to express the new visual language and concept in a multitude of ways on social media platforms.
And look what illustrator Sjoerd van Leeuwen did with the concept for the gift cards the restaurant can sell. I wish it wasn't so cold outside. These drawings help a bit.
Starting to see a pattern in my mobile navigation designs? Heh. Pattern. Sorry, designer jokes.
Client
Development
Design
Identity
Prototyping
Iconography
Visual design
Visual language
Interaction design
Content
UX copy
Social media assets
Process & strategy
Concept
UX strategy
Brand strategy
Content strategy
Project management
Digital strategy consultation
Gift cards by Sjoerd van Leeuwen
Beer label
Collection cards
Menu w/ Nick Lutgerhorst
Extra shout out
Nick Lutgerhorst for some help with the logo
Parta
2020 - ongoing — We make better decisions together.
Gys
2022 – All day, err day.
Klif
2021 — A serious game about conspiracy thinking and online misinformation.
RUFF
2021 — Vegan Burger Fun, delivered.
Studio Natuurlijk
2019 — Take a chill pill. Or follow proper yoga classes. I’d go for the second option.
Go Short
2017 — Finding structure in a festival line-up comprised of 264 films.
Eurofiber – 2021
Eurofiber has been a provider of industry-leading digital infrastructure since 2000. Together with the crew at iO, I redesigned their site.
Eurofiber has many products, which I wanted to present elegantly. No hamburger buttons. Through the new mobile menu, users are able to quickly orient around their many offerings.
I see you looking at that cursor, thinking, "it can't be that big, right?". And you're correct about that. It's fake. But the funnel supporting different sized organisations isn't.
Kapitaal — 2020
They said Helvetica, black and white. We gave them Helvetica, black and white.
Through information architecture, we kept the navigation structure simple as pie. Or hamburger, in this case. Sorry, designer jokes.
Scrolling through pages that contain buttons makes labels act funny. Because, why not be a bit forceful about booking a table?
It is always fun to pretend to work with Ramon & Carlien.
Project with Carlien Peijsel & Ramon Goedvree. Development by Rik Frieling.
No Seat at the table — 2020
No Seat at the Table is an online platform to exchange stories of gentrification, the housing crisis and the need for spatial justice.
The original bird illustration is created by Rajab Eryigit.
For this site, we created some fancy shmancy intro animations and different ways to discover stories of gentrification.
Do you see that? No hamburger menu! On a mobile screen? No way. Just. Wow!
I like to take the time with clients to nail down certain steps in the design process. Minem and I are going through a review here.
Project with Minem Sezgin. Development by Rik Frieling.
Eneco — 2018
The Eneco app enables consumers to influence their energy bill by offering data on their power usage.
During my time we utilised click data, interviews and surveys to simplify the interface and user flows. We improved the menu through a card sort.
By following the Jobs to be Done model, we focussed most of the redesigned interactions around the goals users have.
We also realised a bigger shake-up of the app through a design sprint.
Project with Dept & Eneco.
HR Projectadvies — 2018
As an interim project manager Erik Jan helps large corporates go through organizational changes. The renewed site expresses who he is: an expert with an approach that connects people.
We rewrote and restructured Erik Jan's previous website using a priority guide. We also used the guide to build wireframes. Not that that's related to this guy.
When in doubt, add more illustrations. In this case, we created some abstract ones related to typical HR practices and skills.
I couldn't find a photo of Nick and me working on this project, so here's a photo of Nick in Voorlinden.
Project with Erik Jan van Dalen. Design & development with Nick Lutgerhorst.
Info
I'm Martijn, a digital designer from Utrecht (NL) with around ⑧ years of professional experience.
While I focus on tinkering with interfaces and designing for curiosity, I appreciate being involved in branding as well. I like to think about friction in interaction design. Technology is an instrument to help us, but should remove itself when not needed. A way to do that, is to add friction at places.
Currently
Designer at Parta – a platform for decision-making processes
Lecturer at Utrecht University of Applied Sciences
Freelance designer – helping out friends and organisations
Previously
Digital designer at iO
Digital product designer at Hike One
Digital product designer through secondment at SchaalX
Designer at Studio Airport
Collaboration is essential to create relevant work. In my freelance practice, I experiment with different approaches of collaboration, be it with clients, specialists in related fields and designers new to the game.
I’ve developed a strong interest in socially driven projects by being involved in ones such as restaurant Syr and Parta. It's also why I started lecturing at Communication & Multimedia Design in Utrecht. Are you working on a socially driven project? I’m always open to learn more. ☻
Some clients I worked for
University of the Arts Utrecht
Dutch Ministry of Culture, Education and Science
Into the Great Wide Open
Amsterdam Art Council
Emergence Magazine
White Ribbon UK
Restaurant Syr
Greenpeace
Kapitaal
Pfizer
eBay
Main skills
Interaction design
Visual design
Prototyping
Also fine at
Concept development
Usability testing
Design Thinking
Design systems
User research
Iconography
Branding
Kanban
Scrum
Agile
GTD
I play around in
Final Cut Pro X
Affinity’s suite
Adobe’s suite
Keynote
Sketch
Things
Notion
Figma
Miro
Jira (with a face like this: 😤)
For inquiries
If you’re into PDFs
Development by
Eurico Sá Fernandes and Jori Regter
The typeface is called
GT Zirkon by Grilli Type
That internet connect
on LinkedIn
If you prefer seeing things double
check Dribbble
What I listened to in '22
on Apple Music
My photos are
on Glass
- A designer
- doing sites,
- apps & such